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Content will be updated as new DLCs are released.
Sherlock Holmes, not yet the greatest detective in the world, but a daring and quick-witted youth with great ambitions. An opportunity to prove himself comes when an old wound forces Holmes to return to the shores of the Mediterranean where his mother died. But behind the carefree noise of city streets, an unsettling motive sounds. Crime, corruption, a perverse sense of justice are just some of the obstacles in Sherlock's path to the truth.
The game was played on the Mycroft difficulty level with the selection "High" for chemical analysis.
The game is controlled by interaction with the computer keyboard and mouse.
Go forward - W key ;
Go back - key S ;
Go left - key A ;
Go right - key D ;
Interaction - left mouse button (LMB);
Run - Left Shift key ;
Fix the evidence on the screen - key ↑ ;
The next piece of evidence is the → key ;
Expand or collapse the pinned evidence - ↓ key;
Analyze environment - Z key ;
John's Diary - J key ;
Mind Halls - K key ;
Aim - right mouse button (RMB);
Shoot - left mouse button (LMB);
Crouch - Left Ctrl key;
Throw tobacco - key X ;
The main menu has options:
"Continue" - continue the game from the last save;
"New game" - start a new game;
"Load" - load the game from the selected moment;
"Settings" - submenu of game settings;
"Training" - information on the management of the game;
"Exit" - exit from the game.
Inventory as such is not used in the game. Collected items are logged and applied automatically.
Saving in the game is performed both automatically, at checkpoints and when you exit the game, and manually, by selecting the menu option.
The game begins with a conversation between Sherlock and John in their cabin aboard the ship. The ship arrives at its destination, Sherlock and John head to the hotel "Pallazo del Lusso".
Note . The Mother's Love case is a cross-cutting main quest for the first season. Passing it is repeatedly interrupted to perform additional tasks.
We enter the hotel, we speak with the administrator. We put our signature in the journal.
We go to the right, into the restaurant hall. We go up the stairs to the right corridor.
We go to the left, we find that our number is not yet ready. We speak with the servant.
We go down to the restaurant hall.
HISTORY - "Cemetery rituals" on the table , to the right of the entrance to the lobby.
We speak with the bartender. We look at the plates of ceviche.
We pass to the poster of the medium, which John points to. We look at the poster.
Sherlock is approached by a man who wants to paint a portrait of him.
We speak with a man.
We take a PLATE OF CEVICE from the counter, we pass to the table at which John is sitting. We speak with John.
Let's look at the cane. Consider:
- coat of arms under the knob;
At the insistence of John, we take a cane.
Open John's journal (C key). We click the X key on the investigation page "Forgotten Cane" - we fix the evidence. Close the magazine (Esc key).
We speak with a man talking to a lady at the right edge of the counter.
We enter the concentration mode (press the Q key), consider the people standing in the front garden.
We turn to the man standing at the gate.
The argument with John is won.
We return to the hotel, go to the restaurant hall. We approach the door, to the left of the stairs.
The passage of the quest "Mother's love" has been postponed
We look at the active points on the figure of Craven:
Choose ANY of the definitions.
The Lord invites Holmes to find his missing diamond.
We ask the Lord questions.
Let's look closer to the table, consider:
- a brooch in the form of a moth on a jacket hanging on a chair (rotate the brooch until an active point appears);
" Palaces of the mind " - "Brooch in the form of a moth."
- the place where the diamond was in the center of the table (in concentration mode);
- a glass of whiskey with a cigar lying in an ashtray next to it on the table;
- a broken glass with traces of lipstick on the table,
"The Mind Halls " - "Lady Craven sat facing the window."
We look at Lady Craven lying on the sofa.
We look at the chair lying near the door.
We speak with a medium.
" Mind Halls " - "The lady pointed to the opposite end of the table" and "Lord Graven hit the medium."
We enter the "Halls of the Mind". Connecting evidence:
"Lady Craven was sitting facing the window" + "The lady was pointing her finger at the window" = "Witness in the yard."
We go out into the courtyard.
DOCUMENTS - "A note from the conspirator from the Hive" on a table in the patio.
We enter the mode of concentration. In the seam between the tiles under the window we find a heel from a woman's shoe. We pay attention to scratches on the tile, consider the heel.
We activate the evidence “Someone was in the yard”, in the concentration mode we follow the trail. We find a shoe . We look at the shoe itself and at the broken heel.
We leave into the lobby, we speak with the maid.
We rise to the second floor.
DOCUMENTS - "Letter found in the hotel" on the table next to the door to room 227.
We find a maid cleaning on the second floor near the paintings. We speak with Lucia Celetta. We choose who to introduce ourselves (not critical).
We return to the room where the session was held.
We enter the retrospective mode of events (we interact with the luminous sphere ).
We arrange the characters in their places (we focus on the window to the patio, into which Lucia looks):
The medium stands to the right of the table;
Lord Craven stands on the left with a chair;
Lady Craven sits on a chair opposite the window, pointing at him with her hand.
"The Mind Halls " - "Theft during a séance".
We leave the room for sessions, go to room 226 on the second floor.
We listen to the conversation of the maids at the door.
We highlight three points from the overheard conversation:
- Tried to get her husband drunk;
- Doesn't know how to use a fish knife
We open the door to the room.
"The Mind Halls " - "Lord Craven was in the room with Emma."
We look at Emma's body lying on the bed:
"The Mind Halls " - "Emma got strangled."
- missing diamond (rotate until an active point appears);
"The Mind Halls " - "Diamond was next to Emma."
In concentration mode, inspect the lock in the adjacent door.
"The Mind Halls " - "The lock is easy to pick."
In concentration mode, we examine the box on the dressing table, we find a cache in it.
- RING WITH A MOTH (rotate until an active point appears);
" Palaces of the Mind " - "Ring with the image of a moth."
- engraved ring (rotate until an active point appears);
- cosmetic bag, to the right of the box.
We turn to Lord Craven, we present the evidence “Jewelry Cache” and “Moth Ring”.
"The Mind Halls " - "Emma robbed Lord Craven."
We leave into the next room. We look at the LETTER OF COMPENSATION lying on the round table.
" Palaces of the Mind " - "Compensation for beatings."
We pass to the desktop, we take the LETTER ABOUT THE STOLEN RING lying on it.
"The Mind Halls " - "The thief put the blame on the servants."
We activate the evidence "Lord Craven's Explanations", we leave the room.
We go down to the restaurant hall. We turn to two men near the column.
"The Mind Halls " - "Lord Craven was in the restaurant."
In the "Palaces of the Mind" we draw conclusions:
"Lord Craven hit the medium" + "Compensation for the beating" = "Lord Craven is very short-tempered."
"Lord Craven was in the restaurant" + "Lord Craven was in the room with Emma" = " Time to Kill ".
"The thief blamed the servants" + "Emma robbed Lord Craven" = "Emma has been deceiving Lord Craven for a long time."
"Séance theft" + "The diamond was next to Emma" = " The killer left the diamond ."
"Moth ring" + "Moth brooch" = "Luka and Emma may be old acquaintances."
"Luka could have known that Emma was a thief" and "Luka could have known that Emma set him up."
We head to the administrator, we get the KEY FROM ROOM 225, in which they contain the medium.
We go up to room 225 .
"The Mind Halls " - "Luke and the lord were in adjoining rooms."
In the "Palaces of the Mind" we conclude:
"Luka and the lord were in adjacent rooms" + "The lock was easy to pick" = " Luka could easily pick the lock ."
We approach the desktop, we read the INVITATION lying on it.
Take the ECTOPLASM SAMPLE from the table.
Open the diary, mark the sample of ectoplasm as evidence (X key), press the E key, proceed to chemical analysis.
The "Chemical experiments" icon from the upper area is placed in the area on the left. We also transfer here the left and middle icons of the “Available reagents” that make up the substance with the formula written on the right. With the right mouse button, we establish the connection of reagents with the experiment icon, and then we build a connection with the formula on the right.
Note . On easy difficulty levels, the puzzle can be skipped.
We turn to Luka Galici.
We speak with Luka Galici. Consider:
We conclude: " The former thief became a medium ."
"The Mind Halls " - "Fresh Scratches".
We present evidence - "The Ring with a Moth" and "Sample of Ectoplasm"
Please tell us about scratches.
" Palaces of the Mind " - "Careless Servants".
In the "Palaces of the Mind" we draw conclusions:
"Fresh scratches" + "Emma was strangled" = " Emma scratched Luka's hands ."
"Fresh scratches" + "Careless servants" = "Servants scratched Luka's hands."
The conclusion automatically follows: " The murderer of Luca Galici ".
We blame Luke. Here is evidence of his guilt.
We make a moral choice.
" Mind Halls " - "My imaginary friend John".
We approach the cab, we go to the cemetery.
We activate the evidence "Memories of the funeral." We enter the concentration mode, interact with the three clouds of memories.
We go to the mother's grave.
- an inscription on a tombstone;
- left clock (rotate until the active point appears);
We activate the evidence "Mysterious guest". We enter the mode of concentration, we follow the tracks.
Behind the fence we find traces of bicycle tires.
We follow the trail, we find a bicycle leaning against the wall.
- traces of oil paint on the case;
- PHOTOGRAPHY OF HOSPITAL SKERRIES (rotate until two active points appear).
We pass to the old tree at the end of the cemetery. In front of the crypts we see the artist Vogel. We talk to him.
We leave the cemetery, we go to the police station .
Note . It is advisable to wander around the city to discover fast travel points on the map.
We enter the police building. We speak with duty constable Stark.
The passage of the quest "Mother's love" has been postponed
We leave the police building, go to Mrs. Nini's studio .
We enter the studio. We speak with the owner of the atelier on all the proposed topics. We get signs of a thief.
We pass into the workshop. We collect wardrobe items from the shelves of the racks (4 sets).
We enter the wardrobe menu. We put on:
In a new guise, we show Miss Nini.
It claims that Holmes is completely like a thief.
We go outside, go to the police station. We enter the building, we speak with Constable Stark.
We rise along the stairs to the right, we pass into the right corridor, we enter the archive.
Crimes - "Crimes against the person";
" Mind Halls " - "Missing Materials".
We leave the archive, go to Constable Stark.
Stark invites Holmes to pass the tests to become an independent agent.
The passage of the quest "Mother's love" has been postponed
We speak with the sergeant, we enter the room for the first test.
We shoot at targets, go to the next room.
We pass a primitive obstacle course, move on to the next test.
We shoot at the objects highlighted in yellow. Go ahead.
We knock down armor elements from the dummy, proceed to the next test.
We knock down the shield from the face of the mannequin, we scatter tobacco (X key).
Summing up with the sergeant. Let's move on to the last test, which can be skipped.
We need to arrest four criminals who attack one after another. To do this, we hide from their shots, shoot at objects that, for a while, stop enemies (faucets of pipes with steam, spray cans, etc.). While they are immobilized, we run up and perform QTE actions - move the mouse in the indicated direction and press the opened letter. The handcuffs that appeared over the defeated enemy testify to his arrest.
We pass the tests, get a certificate of a forensic consultant.
Note . A bandit lair appears on the map, where you can go to improve your skills.
Constable Stark asks Holmes to help out with some cold cases.
We approach the board in the lobby of the police station, we read the task.
We read the testimony of witnesses. We determine the alleged crime scene on the map , leave the site. We move to the Old City area.
We find a pub. We speak with the policeman, we go inside.
We examine the hall, collect evidence, marked with police signs:
- beer spilled on the floor.
- broken glasses (rotate until an active point appears).
- fragments of a broken bottle with traces of blood.
- a sharp kitchen knife (you need to rotate until two active points appear).
We examine the unfinished bottle of rum on the table, behind the plate number 1.
We enter the concentration mode, restore the chronicle of events.
The sailor scolds the merchant for spilling beer on him.
The merchant pushes the soldier onto the table.
A worker with a broken bottle in his hand beats the merchant.
A sailor with a chair in his hands knocks down a worker.
Soldier with a knife in his hand.
We return to the area. We speak with Constable Stark.
We approach the board, take a new case.
We get acquainted with the personal files of the victims, we leave the station. We go to the place of events .
We speak with the policeman on duty at the crime scene. We study the evidence marked by police signs:
- traces of bullets in the cart;
- a bloody trace from a bullet on a wheel.
- a sharp knife (rotate until two active points appear).
- a gun in a pool of blood.
A knife sticking out of a tree (“the blade went deep into the tree”).
- bent glasses with broken glasses;
- revolver (rotate until two active points appear).
- brass fragments of bullets in the deck.
Entering the retrospective mode, compiling a chronology of events.
The man in the hat is holding his leg.
The man in the hat clamps the wound, crouching against the wall.
A man with a beard gets a knife in the neck.
A man with glasses covers the wound with his hand.
Activate the "Missing Part" evidence. We enter the concentration mode, we find a trace near the dead, sitting against the wall.
We return to the police station, report to Stark about the completion of the task.
We take the next task from the board.
We look through the personal files of the dead, notes about the suspect, the testimony of a tramp and a reporter.
We leave for the cemetery Cordona .
From the central gate we go to the right, we approach the scene.
We look at the basket with fresh flowers.
We study the evidence marked by police cards:
- traces of blood on the stone;
- blood on the ground, next to the stone.
Tablet number 2 (at the opened grave)
- a bottle with a transparent liquid (rotate until an active point appears);
- a set of surgical instruments (in concentration mode).
- a piece of matter on a branch.
- traces of blood on the ground;
From the opened grave (tablet No. 2) we go up the path. Consider:
- an extinct campfire (a bottle of alcohol, a fried rat, hallucinogenic mushrooms);
We open the evidence "Bottle with a transparent liquid." We carry out chemical analysis (key E).
Entering the retrospective mode, compiling a chronology of events.
A man carries a basket of flowers.
A man pierces the neck of a man lying on the ground.
A man in a hat stands with a bottle in his hand near the opened grave. Man rummages through surgical instruments
A bald man beats a man with a shovel.
A man pierces the neck of a lying person.
We return to the police station, report to Stark about the completion of the task.
We take the next task from the board.
We review the available documents. We are heading to the scene of the crime " Ruins in the forest ".
We speak with the policeman.
We activate the evidence "Place of the ritual." We study the evidence marked by police cards:
- a broken amphora from under the wine.
- a rope soaked in wine.
- an inverted stone and a palm print (in concentration mode with evidence turned on).
- a rosary hanging on a bush (rotate until an active point appears).
- a bloody altar with a goat carcass.
Entering the retrospective mode, compiling a chronology of events.
A woman in a bird mask is dragging a goat.
A woman in a lion mask drops an amphora.
A woman in a bull mask ties a man to a post.
Dance of women (from left to right: in a bird mask, in a bull mask (sitting) and in a lion mask).
A woman in a bull mask and a woman in a lion mask are dragging a man by the arms. A woman in a bird mask points her finger at him.
We return to the police station, report to Stark about the completion of the task.
Congratulations to Stark on his promotion. We agree to help with the disappearance of Inspector Placido. Asking questions.
We get the KEY TO PLACIDO'S OFFICE, we head to the office of the senior inspector in the left wing.
We study the evidence in the office:
- "Police Chief's note" on the table;
- filing cabinet (empty box and sign "Beekeeper");
- a bureau to the right of the door (TOB-BOX, empty compartment for a revolver in a box (in concentration mode), a note in a newspaper).
DOCUMENTS - Chronicle, May 1877 at Inspector Placido's office.
We mark “Plácido’s Cabinet” as evidence, in the concentration mode we examine the opened areas:
- fingerprints on a loosely fixed picture on the wall on the left;
- a stack of books on the floor;
- papers on old cases on the table;
- a thick layer of dust on the doors of cabinets;
- a new safe that has not been used;
- a picture firmly fixed on the wall on the right.
We move the picture with the image of the apiary, look into the cache:
We pick up the alcoholized EAR IN THE JAR.
We leave the site, go to the town hall of Cardona.
We pay attention to the newsboy - having bought a newspaper from him, we will receive the task " Treasure hunt »
Note . Automatically opens the task " Silence is gold " in the "History of the Cordona" section.
We enter the town hall building.
At the entrance, Sherlock speaks to Ursula Oni, the town hall's senior archivist.
We pass into the right wing, we go into the archive.
Period - ("The British (1800s));
District - "Miner's Redistribution".
We ship to the address where the warehouse is located.
The true face of the beekeeper
We go to the warehouse.
We listen to the conversation of two men in the yard, choose:
I'm going to the warehouse.
We go to the warehouse.
We deal with bandits who do not need to be arrested. Get CHELLA'S OFFICE KEY. We pass through the lattice door, we rise to the second floor.
We enter the office. Gathering evidence:
- desktop ("DIRTY NOTE", skeins of yarn, "NOTE FROM P.");
- stove (BURNED PAPER on the floor and fire in the stove).
We are conducting a chemical analysis of the "Burned Papers" evidence.
Holmes manages to recover several fragments of the text.
Activate the note as evidence. We go down, we leave the warehouse.
We ask people, tracking friendly in the concentration mode.
We get to the apiary .
We turn to the man standing near the house on the hill.
We identify the man as Inspector Placido.
In a conversation, choose replicas:
"I will consider your request."
We return to the police station. We find Sergeant Stark in the room opposite Placido's office.
We inform him: "Plácido is dead."
We continue the passage of the main quest.
We set off in search of the Stonewood mansion .
Arriving at the place, we take out the "Letter from Mycroft" from the mailbox.
" Mind Halls " - "My mother died of tuberculosis."
We enter the estate. We go to the front door.
We go to the gazebo. Let's look at Tree Joe.
- wood and glass on the right;
- wooden sword on the left.
We activate the evidence "Memories of the past."
We turn on the concentration mode, look at the events that took place in childhood.
- "Auction notice" on the column (opens a new case " Empty House Story ");
- marks on the handrail of the stairs.
ITEMS - "Memories of Violet's Death" - on a bench with an empty frame.
Activate the memory "First day at Cordon" as evidence.
We enter the concentration mode, look:
- on a mountain of things;
Entering the retrospective mode, compiling a chronology of events.
A man hangs his hat on a hanger.
Sherlock helps his mother up the stairs.
"The Mind Halls " - "Not TB".
MEMORIES - "The first day on Cordon".
We rise to the second floor, enter the opened door of the bedroom.
- a knife with which a letter was pinned to the cabinet;
- traces of bullets in the wall;
- chemical laboratory on the table;
- a small table (the book "Robinson Crusoe", "The American Encyclopedia", a newspaper, a WOODEN HANDLE with a cruciform end (rotate until an active point appears)).
Activate as evidence "Wooden Pen". We enter the concentration mode, consider the handles of the cabinet .
Let's open the box and see:
- father's tube (rotate until two active points appear).
OBJECTS - Seeger Holmes pipe.
We look at the toy balloon near the bed.
" Mind Halls " - "Friendly Neighbor"
In the "Halls of the Mind" we draw conclusions:
"Friendly Neighbor" + "Missing Documents" = "Family Friend".
"My mother died of tuberculosis" + "Not tuberculosis" = "Mycroft lied."
“There are no records of my mother’s death anywhere, but an old friend of the family lived on Cordon - an eccentric named Theodore Gilden. He lived in one of the neighboring houses near the Greek bridge. He had a big balloon in the yard."
We get down, we leave the house on the street. We go to the right, focusing on the balloon in the sky.
We see a crowd of onlookers looking into the courtyard of the estate.
The passage of the quest "Mother's love" has been postponed
We look at the torn and bent gate leaf - as if they were hit by a battering ram.
We notice a crushed vase with flowers - everything around is trampled,
We look through the chained gate on the right - the landscape, as if in paradise.
In the aviary behind the gate on the left we find a corpse.
- a belt from a dressing gown;
- missing little finger on the right hand.
" Mind Halls " - "Fatal Mutilations".
We bring our eyes closer to the hole in the wall of the barn outside the enclosure, we consider:
- boatswain's knife (rotate until two active points appear);
- a trace from the blow on the wall on the left.
" Palaces of the Mind " - "Bosun's Knife".
We go deep into the aviary. We look:
- on the rope holding the balloon;
- on fruit in the depths of the enclosure;
- on a broken chain (chain, blood, trace on the left (in concentration mode), goad (in concentration mode)).
"The Mind Halls " - "Gilden kept a wild animal."
We enter the retrospective mode, we reconstruct the events:
The elephant grabs Gilden by the neck;
The elephant throws Gilden's body to the ground;
The elephant leaves the yard.
" Palaces of the Mind " - "A wall is broken at the barn."
We take out the camera (E key), take a picture of the elephant's footprint (LMB).
We go to the editorial office of the newspaper "Chronicle".
We enter the building. We speak with Yasemin Sertel, editor-in-chief.
We pass into the room on the left, activate the Elephant Life evidence.
DOCUMENTS - article "Lord of the Beasts" in the newspaper.
The argument with John is won.
We put on a police uniform, go out into the street. We activate the evidence "Thick-skinned criminal". We return to the scene of the tragedy.
We speak with onlookers who continue to crowd at the gate.
We are heading to the Greek bridge . We pass it, pay attention to the overturned cart . We enter the mode of concentration, look at the elephant footprint.
We follow the trail. We find a broken branch. The trail leads us to a pond.
We examine the robe hanging on a branch:
- KEYS in the pocket of the bathrobe;
- a letter in another pocket.
DOCUMENTS - "Letter in ink spots" in the pocket of a dressing gown on the shore of a reservoir.
We return to Gilden's house, open the front door with the found key. We go up the stairs.
Sherlock hears crying coming from the room. He enters the door, meets Theodore's daughter, Imogen.
We speak with the girl.
We examine the objects in the room:
- luggage (green dress, book "False idols" (rotate until an active point appears), photograph (rotate until two active points appear)).
DOCUMENT - False Idols book in Imogen Gilden's luggage
We head to Theodore's office. Looking at items:
- armchair by the window (in concentration mode);
- desktop (framed photograph of Theodore and the elephant (rotate until the active point appears), prosthetic finger, FLATTERY BOTTLE (rotate until the active point appears and pick up the object), framed Imogen's photograph (rotate until the active point appears));
- construction plan on the table (name and two active points).
We take a photo of the plan .
DOCUMENT - The Elephant Lover is on the bookshelf .
ITEMS - “Theo, Violet, Seeger. First Expedition" (photo of Holmes' mother on the bookshelf (turn until two active points appear)).
We return to Imogen, we ask her (we present evidence) on all available topics (evidence in the magazine).
"The Mind Halls " - "Partnership Broken."
We put on an ordinary Holmes costume, go out into the street. We fix the evidence "Photograph of Imogen", we recover to a new place - the Salacia Yacht Club .
We turn to the man in the top hat, we learn that Paul is in the workshop. We're heading to the workshop .
Activate the evidence "Yacht Club Workshop". We look at the items.
- bloodied bandages on a table in a locked room with a "Whirlpool" sign;
- a crack on the door frame of a locked room (in concentration mode);
- a painted yacht and a can of paint (in concentration mode);
- shifted plate on the board with the list of winning yachts (in concentration mode).
We take a plate with the name of the yacht of the floor, turn it, take the KEY.
We go into the storeroom.
We pay attention to the autophone.
DOCUMENTS - The book "Sails of Hatred" (the second book of the trilogy) on the corner shelf .
We leave and with the found key we open the door with the inscription "Whirlpool".
- a drawing of a yacht on the wall.
"The Mind Halls " - "Theodore threatened Paul."
We examine the shelf with the tool on the right:
- a set of expensive tools on the middle shelf on the left;
- A BOX WITH POISONED DARTS on the middle shelf on the right (rotate until an active point appears and pick it up);
- Books on the bottom shelf.
We fix the "Suspicious Note" as evidence, again we go to the pantry.
In the concentration mode, we look at the shelves with canned food , we see a BOX OF TEA (we find two active points and pick it up).
We leave the pantry, we face Paul. We introduce ourselves as a friend of Imogen.
- neck (the Adam's apple is not visible);
- left thigh (body of an adult woman);
- Elbow of the right hand (severe injury).
" Mind Halls " - "Paul has a fresh bruise."
We define Paul as " Professional Smuggler ".
During the conversation, bandits enter the workshop. Deal with them, or skip the action scene.
We go into the room, we speak with "Paul". We ask her (we present evidence) on all available topics (evidence in the magazine).
We get seven additions to the evidence in the magazine.
"The Mind Halls " - "Theodore sent bandits for sex."
We leave the workshop, go to the "Elephant Manor" to Imogen.
We go up to Imogen's room. We ask her (we present evidence) on all available topics (evidence in the magazine).
We get two additions to the evidence in the magazine.
We head to the city hall.
Let's go to the archive.
We are heading to the intersection of Bazaar Road and Arno Street .
The guard does not allow you to enter the excavation site. He can't let us in without work clothes.
We listen to the conversation of two men near the excavation site.
- market in the Old City;
We go to the market in the Old City .
We buy a work apron from a clothing seller.
Use concentration mode to find the man with the scar. We find him standing in the center of the market. We are making a request. We declare that we are on the side of the British, and sing the anthem.
We return to the excavation site. We pass by the guard.
We go down below, under a canopy on the right we find a writing person.
We speak with Professor Swift, we declare that we are ready to get to work.
- Elbow of the left hand (bruises on the elbow);
"The Mind Halls " - "Arthur has fresh bruises on his elbow."
We study the excavation scheme :
- a note in the lower right corner.
Note. Pay attention to the description of the location of the statues in the magazine.
DOCUMENTS - note "Tomb of Titus Lemonius found" on the excavation plan.
We look under the canopy on the left:
- page of records on the box;
DOCUMENT - record "The Conquest of Titus and Vitus" on a box under a canopy.
Trilogy "Basocology" (argument with John)
We go down to the lower level of excavations. Under the canopy on the left we find the final book of the trilogy.
DOCUMENT - The book "Sharp Pick" is on crates under the canopy on the lower level.
The argument with John is won.
We listen to what the smoking man mutters.
- "Helmet in the shape of a lion's head";
We go up the stairs to the right. We look at the inscription on the tombstone.
We examine the overturned statue:
- a sickle in a broken hand;
We arrange the statues as it says in the "Study of Arthur Swift":
"Zephyr, the younger god of the wind, looking west with a basket of fruit in his hand";
"Another female figure, looking east, personifies the wind god Evra";
"Between them are the statues of Titus and his brother Vitus."
"Titus had a lion's head helmet and a sword, while Vitus fought with a sword and shield."
We fix the evidence "Inspection of the ruins", we go down to the seashore.
Interact with the active point on the right.
We rise, inspect Swift's desktop:
- BOX WITH DARTS (rotate until an active point appears and pick it up);
"The Mind Halls " - "Arthur has darts and the floor."
- the book "Trunks and tusks";
"The Mind Halls " - "Elephants have mating season."
- a notebook with a leather cover.
Arthur Swift catches Sherlock doing his job. He does not consider it necessary to continue to hide his name.
We ask the professor questions.
"Project plan" - Arthur broke off cooperation with Theodore because he did not show enough interest in excavations;
"Footprints at the barn" - Arthur claims that the knife is not his;-
"Thick-Skinned Criminal" - Arthur believes the elephant was just trying to break free;
"Letter of Threats" - Arthur was surprised at how unrestrained Theodore behaved;
"Entrance to the excavations" - excavations will radically change ideas about the history of mankind;
"Arthur's Darts" - darts are needed to fight rodents;
Trunks and Tusks - read a book to get to know the elephant better;
"Notebook with a leather cover" - writes down information about important events.
"The Mind Halls " - "Hard Times".
"The Mind Halls " - "Everyone blames Goliath."
In the "Palaces of the Mind" we draw conclusions:
"Partnership broken" + "Hard times" = "Arthur wanted to save the research."
“The wall of the barn is broken” + “Arthur has fresh bruises on his elbow” = “Arthur could have hit the wall of the barn.”
"The wall of the barn is broken" + "Paul has a fresh bruise" = "The floor could have hit the wall of the barn."
"Bosun's knife" + "A wall is broken at the barn" = "Outsider".
Automatic conclusion for selection: " Arthur could have been at the crime scene " and "Paul could have been at the crime scene."
"Fatal Mutilations" + "Gilden kept a wild animal" = "Goliath the possible killer of Theodore."
"Theodore threatened Paul" + "Theodore sent bandits after Paul" = "Theodore wanted to ruin Paul's life."
"It's mating season for elephants" + "Everyone blames Goliath" = " We need to find Goliath ."
From the box under the canopy on the left we take the FABRIC - it does not let gas through.
We leave the excavations, go to the boat shed of the yacht club. We pick up NAUTOPHONE.
We carry out a chemical analysis of the "Vial with an odorous substance" from Theodore's office. We get PHEROMONES.
We leave for the studio of Mrs. Nini. We speak with the hostess, sweeping the sidewalk.
We move to the Gilden yard. We fill the doll with gas.
Sherlock and the police are ready to catch Goliath.
We lure the elephant with four different sounds.
- pupil of the right eye;
- a dart in the skin (rotate until two active points appear).
We carry out a chemical analysis of the Dart in the Elephant's Skin.
"The Mind Halls " - "The Poison Dart".
In the "Palaces of the Mind" we conclude:
"Fatal Mutilations" + "Poison Dart" = " Goliath could have been provoked " or "Goliath is Theodore's possible killer."
"Arthur and Paul have darts" + "Poisoned Dart" = "Both Arthur and Paul could shoot a dart."
Automatically opens output for selection: " Someone angered Goliath with a poisoned dart so that the elephant would get angry and attack Theodore Gilden " and "Someone wanted to protect Theodore".
We conclude: " Theodore Gilden's killer is Arthur Swift ."
Note . There are several options for ending the case:
- Blame the elephant, but ask Imogen to save him. The girl will sell the elephant to a stranger.
- Blame Paul and arrest him.
- Blame Paul, let him go and let Goliath be executed.
Blame Arthur, let him go and let Goliath be executed.
We change into a work uniform, we go to the excavation site. We blame Professor Swift, we make a moral choice.
Imogen thanks Sherlock for a job well done, but she is unhappy that he did not take care of the fate of the elephant. True, she herself gave that unfamiliar man. The girl asks to take her father's things to disappear from her life.
We pick up items from the box on the bench.
ITEMS - "Letter to Theodore Gilden from Violet."
DECORATION (rotate until an active point appears).
We head to the mansion.
We activate the evidence "Fragments of memories", we rise to the second floor.
We enter the concentration mode, activate five memories (white circles).
We enter the mother's room. Considering items:
- the picture on the wall;
- objects on the floor in the corner (mother's drawing (rotate until an active point appears), drawing with sloppy lines (rotate until an active point appears), crossed out drawing (rotate until an active point appears));
- a round table near the bath (drawer, LETTER in the drawer, BOTTLE OF SEDATION on the table (rotate until two active points appear));
- a table in the center of the room (OLD SHEET OF PAPER, newspaper).
OBJECTS - "Obituary from The Times" in the newspaper on the table.
- a suitcase on a chair (lock, doctor's tools, ALMOST EMPTY BOTTLE (rotate until two active points appear), NOTES ON THE PATIENT'S STATE).
We look at the chessboard.
We activate the evidence "Long-standing confrontation". We enter the mode of concentration. We play chess with John - we make a move with the bishop.
"The Mind Halls " - "We brought tea."
We activate the evidence "On the wrong foot", we enter the concentration mode. Consider:
- fragments of a broken dish;
Switch to retrospective mode. We arrange the figures:
Sherlock fell to the floor next to the tub.
The doctor deflects the mother's throw with a tray.
Mycroft kicks a dish that has hit him.
" Palaces of the Mind " - "Mental Disorder".
We declare to John that we need to continue, we assure that we are normal.
We go down, we speak with the man who has come in the form of a sailor.
We define the guest as " The artist in the clothes of a sailor ."
The passage of the quest "Mother's love" has been postponed
Let's go to the Vogel Gallery .
We enter the building. We talk with the artist, ask questions.
We pass through the door on the left, we go down to the basement.
Check out the items in the gallery:
- a scarecrow of a wounded shark;
- a skeleton in a coffin (a stuffed crow, a skeleton (in concentration mode), a charcoal palm print on the inner surface of the coffin lid);
- scattered coal (old shovel, footprints (in concentration mode));
- hatch (traces of shoes, scratches on the door (in concentration mode));
- traces of fire (cigarette butt (rotate until two active points appear), empty frame (in concentration mode));
"The Halls of Mind " - "The gallery was visited by a lame smoker."
- a chain for a picture (in concentration mode);
We enter the retrospective mode, restore the events:
A man comes out of the hatch.
Vogel comes down the stairs.
A man hides in a coffin.
A man steals a painting.
We go to Vogel, we speak with him.
To find out the address of the artist, we go to the editorial office of the Chronicle .
At the entrance, Holmes is hailed by Miss Sertel (new case " Catching Eels ").
We go into the archive, set the search parameters:
We go to the found address .
We go to one of the merchants.
We buy the costume "Bohemia", "Tousled hair", "Artist's stubble" and "Artist's make-up".
We return to the house of Mercury.
The blind-sighted hostess takes the disguised Holmes for an artist, and gives him the key to the apartment.
We rise to the second floor, enter the room of Mercurio.
- a corpse (rags near the right shoulder, a wound on the neck, chest (in concentration mode), left hand (in concentration mode), knife (rotate until two active points appear));
- a chest to the left of the door;
" Palaces of the Mind " - "The artist's apartment was ransacked."
- a collection of bottles to the right of the door;
- desktop (camera, drawer, cutlery (in concentration mode), painting (in concentration mode), broken bottle);
- a bath for the development of photographs in the next room;
- a shot on a rope above the tub.
The thief searches the chest.
An artist with a bottle in his hand attacks a thief.
"The Mind Halls " - "The artist spotted the thief."
The thief wounds the artist with a knife.
"The Mind Halls " - "The artist was killed in a fight."
The thief puts rags on the artist's wound.
We select a picture, carry out its chemical analysis.
We put the picture on the easel.
We look at the round frame on which the skull should be - it is not.
We pass into the next room, we find the skull next to the toilet.
"The Mind Halls " - "A photograph of a rapist".
We go down, we speak with the hostess. We ask "Who came to me?".
"The Halls of Mind " - "A lover of Mal-Pal came to Mercury."
We ask: "Call the police to my house."
We leave the artist's apartment.
We activate the evidence “John's drawing; Pregnant girl".
In the concentration mode, we find a responsive character among the passers-by, we turn to him.
We go to the Victoria Bridge , we go down under the bridge.
In the refugee camp we find a police raid.
We speak with Ronald Harlow.
We define it as " Tired and indifferent ".
We offer help. We pass to the territory of the camp.
We speak with Inspector Tewksbury.
We examine the places marked with police signs.
- boots (the man was limping);
- fingers of the right hand (in concentration mode);
" Palaces of the Mind " - "Under the nails of a dead man, coal dust."
- DIRK in the chest (rotate until an active point appears and pick it up) (these are worn in the navy);
- a wound in the chest (the blade was moved, thrusting into the body);
- a tattoo on the neck.
- cigarettes in a cigarette case;
- traces of blood on the ground;
- blood trail (in concentration mode);
- a furrow in the sand (in concentration mode).
- stick (rotate until two active points appear).
- a trace from a police boot;
- footprint of a bare foot;
- a trace from a heavy boot.
We find a wounded man in the camp.
We activate the evidence "Wounded refugee". In the concentration mode, we consider a cloth hung to dry. We take the FABRIC .
We find ALOE . We collect WATER from the boiler.
We carry out a chemical analysis of the means for washing wounds.
We activate the evidence “How did the stranger get into the camp?”.
We examine in concentration mode:
- heavy gates (have not been opened for a long time);
We leave the camp, at the entrance to it we look at the cigarette butts :
- Roadman cigarettes (popular with the police);
- cigarette butt "Mel-Pal" (rotate until an active point appears).
We return to the camp, in the retrospective mode we build a chronology of events.
The lame man drags the girl by the hand.
A refugee attacks a lame man with a stick in his hand. He pulls the girl by the hand.
The girl breaks out of the hands of the lame man and tears the beads.
A lame man with a knife in his hand runs away from a refugee.
The lame man stumbles over the boxes.
The lame man falls into the water, breaking through the railing.
"The Mind Halls " - "The bandit tried to take the girl away."
"The Mind Halls " - "The bandit didn't hurt the girl."
We turn to the inspector, show the evidence "Failed kidnapping."
With the same evidence, we turn to standing next to Harlow.
We listen to the conversation of two policemen.
- "The camp may be closed";
“John offered to ask the residents of the camp about what is happening here. It's best to sort this out before we leave in case visitors are denied entry."
We activate the evidence, we turn to the refugee standing near the boiler.
We present evidence “What is happening in the refugee camp?” inspector.
The argument with John is won.
We pass deep into the camp, we speak with a refugee.
"The Mind Halls " - "The girl in the photo is Neyla."
For helping a wounded comrade, he allows Holmes to talk to Neyla.
" Palaces of the Mind " - "The rapist had an unusually shaped cross."
Activate the evidence, show it to the inspector.
In the "Palaces of the Mind" we conclude:
"The artist was killed in a fight" + "The artist noticed the thief" = "The thief did not want to kill Mercurio."
“A lame smoker visited the gallery” + “A lover of Mal-Pal came to Mercury = “A thief from the gallery came to Mercury”.
"Photo of the rapist" + "The artist's apartment was ransacked" = "The thief might have been looking for the photograph."
Conclusion: "The thief needed a photograph."
“The bandit did not hurt the girl” + “The bandit tried to take the girl away” = “The bandit wanted to kidnap the girl.”
“Traces of coal-stained shoes” + “Coal dust under the nails of a dead man” = “The bandit visited the Vogel gallery.”
Conclusion: "Not just a thief, but some kind of henchman."
“Photo of the rapist” + “The rapist had an unusually shaped cross” = “The rapist is a high-ranking official.”
We go to the town hall.
We pass into the archive.
Set the search parameters for the "Stranger's Tattoo" clue:
Period - "The British (1800s)";
We leave for the office of Bernadotti .
The front door is locked. We go around the building on the right, go through the ajar gate to the backyard.
We speak with the guard.
We go to the clothing merchant, we buy the "Bernadotti Gang Tattoo"
We return to the backyard of the office.
We speak with the guard, we pass inside the building.
The argument with John is won.
We pass into the room on the left, we examine the picture under the canvas:
"The Mind Halls " - "The Stolen Painting".
We look into the open box next to it:
- Dogon figurine (rotate until two active points appear);
- an inscription on the box.
The evidence "Smuggling" is open.
We look at the idol in the box. We leave the room through the second door. In concentration mode, we consider the newspaper "Chronicle" lying on the bench .
We go out into the hall. We look at the poster on the wall on the right.
We examine the photo in a frame on the wall on the left:
- a sign under the picture;
- paper tray on the left;
- an invitation to the ball on the right.
We do not react to the words of the secretary, we enter the office of Bernodotti.
In the concentration mode, we examine the photo of the girl in the frame on the table and the shelves on the wall, to the right of the entrance.
- tattoo (not the same as everyone else);
- right hand (ready for dirty work);
- skin on the right arm (damaged);
- a pistol in a holster;
- wedding ring on the left hand (married).
"The Mind Halls " - "Bernadotti's Proposal".
In the "Palaces of the Mind" we conclude:
"Stolen Painting" + "Bernadotti's Proposal" = "Compromising evidence".
"The girl in the photo is Neyla" + "Bernadotti's suggestion" = "Victim of violence."
Automatically prompted to draw a conclusion.
Activate the evidence, leave Bernodotti's office through the front door. We go to the town hall.
Go to the archive, set the search parameters:
We get the "Personal file of Thomas Norton."
We leave the archive, follow the left wing, enter the office of Thomas Norton .
- eyes (did not sleep at night);
- chin (no time to shave);
- order (wears without taking off);
We define: “The ambassador is tormented by conscience ”
"The Mind Halls " - "The Ambassador's Proposal".
"The Mind Halls " - "A photograph will ruin an ambassador's career."
In the "Palaces of the Mind" we conclude:
"The girl in the photo is Neyla" + "The photo will ruin the ambassador's career" = "Hostages of the system" or "Hostages of the system."
"Ambassador's proposal" + "The photo will ruin the ambassador's career" = "The ambassador wants to hide the evidence."
We make a choice to whom to give the photo:
Help Neyla, who suffered the most;
Painting to be returned to Vogel
The painting will remain with Bernadotti;
The British ambassador will be punished, but no one will benefit from this.
The ambassador promises to help the refugees (except for Neyla).
We pass through the gates of the mansion.
At the gate, Sherlock encounters a messenger from Mycroft, Emilio Estevo - a new case " Love, Death, Cordona " is opened.
We approach John, open the box that he is considering.
We activate the evidence "Details of memories", we enter the house.
In concentration mode, we revive Holmes' memories from his childhood.
We go into the now available room on the right.
We examine the objects in the room:
- a copy of the Holy Grail (rotate until an active point appears);
- the book "Watkins and Holman, part one" (rotate until the active point appears);
- a blanket (in concentration mode);
- shield and spears on the wall;
- desktop (“LETTER FROM THE JUDGE”, a locked drawer, business cards, Inspector Placido's business card (rotate until two active points appear), “SUBIT” (rotate until two active points appear)).
"The Mind Halls " - "Mycroft testified against Dr. Richter."
We activate the evidence "The art of hacking". In concentration mode, look at the desk drawer. Tracing memories. We follow the trail to the front door. We rise to the second floor, to the fireplace.
- TINY KEY on the wall on the left;
- a sprig of juniper on the wall on the right.
Having received the key, we return to the rarity studio, open the desk drawer with it.
We look into the open box:
- single malt whiskey (rotate until two active points appear and pick up);
- a folder with the inscription "Otto Richter" (WHAT MYCROFT LEARNED).
ITEMS - "A gift from the queen."
We continue to explore the room:
- a skeleton in a glass case;
- photo on the shelf (rotate until two active points appear);
- the mummy of the Persian queen;
- the second desktop ("OTTO'S LETTER FROM BROTHER" and "OTTO RICHTER'S PERSONAL NOTES" in the left wooden box on the table, "DIploma Scraps" in the second wooden box, the book "Tulpa: Studies in Tibetan Mentalism" in the second wooden box (rotate until two active points.
"The Mind Halls " - "Richter's Experiments".
- stuffed deer and bear on the sides of the front door.
We activate the evidence "an incident in the vault of rarities."
In concentration mode, we follow the clouds of memories.
We enter the retrospective mode, restore the events.
The children are at the table.
Mycroft tears up the professor's diploma.
FLASHBACK - "A Curious Conversation".
We go out into the hall, we find the left parcel .
The passage of the quest "Mother's love" has been postponed
We put on the costume of the "Prince of Darkness" and the "Face Mask", we go to the indicated address .
Yellow press (argument with John)
We listen to what the couple is talking about, standing in a niche, to the right of the front door.
We find another pair in the booth, to the left of the front door. Let's listen to the conversation.
DOCUMENTS - John's article "Mud Bathing with Cordona's Elite".
We pass into the room, located to the right of the stairs to the left. We speak with Vogel.
We go into the white door on the opposite side of the entrance.
- head (hit on the temple with a blunt object);
- RITUAL DAGGER (rotate until two active points appear and pick up);
- stomach (symbol in the form of a worm);
- left forearm (tattoo in the form of a brand of a slave);
" Palaces of the Mind " - "The Circumstances of Fabio's Death".
" Palaces of the Mind " - Fabio died lying on the altar.
We examine the symbols inscribed on the wall, behind the altar.
We speak with the entered Vogel, ask questions.
We pass into the rooms on the left.
We consider a round table by the fireplace in the smoking room:
We activate the "Smoking Room" evidence, interact with three clouds of memories in the concentration mode.
We go to the dressing room.
- wardrobe, to the right of the mirror ( bloody clothes );
- Fabio's dressing table (masks, cufflinks , key with F tag);
" Palaces of the Mind " - "Fabio's key is in place."
- Matista's dressing room table ("NOTE FROM MANCHIOS", "SCENARIO OF THE RITUAL", COSMETICS).
We return to the altar, interact with the sphere of retrospective.
An unknown person plunges a dagger into the body on the altar.
An unknown person drags a dead body from a smoking room.
An unknown person hits the victim with a bottle on the head in a smoking room.
"The Mind Halls " - "Fabio was attacked in the next room."
An unidentified man washes his hands over the sink in the dressing room.
"The Mind Halls " - "The killer washed the blood off himself."
The unknown person hides the bloody clothes in the closet.
The stranger opens the door.
"The Mind Halls " - "The door was locked and then opened."
We enter the "Palaces of the Mind", draw conclusions:
"Circumstances of Fabio's death" + "Fabio died lying on the altar" = "Fabio was killed during the ritual."
"Circumstances of Fabio's death" + "Fabio was attacked in the next room" = "Ritual staged".
Choices: "Fabio was killed during the ritual" or "The ritual was staged."
"Fabio's key is in place" + "The door was locked and then opened" = "The killer had the key to the room with the altar."
We activate the evidence "Killer's Key", we speak with Vogel.
We activate the evidence "What does Kurt Manchios look like", we go out into the main hall.
We find Manchios standing with his back to the table in the center. We speak with the owner of the evening.
" Palaces of the Mind " - "Pinchetti works as a majordomo."
The policemen burst into the hall. Holmes is arrested along with everyone else.
We speak with the constable, we ask you to help with the investigation of the mother's case.
"The Mind Halls " - "Santos Pinchetti called the police."
"The Mind Halls " - "Vogel was arrested because of the letter."
- KEYS FROM INTERROGATION (we pick up);
We enter the "Palaces of the Mind", we conclude:
"Pinchetti is a majordomo" + "Santos Pinchetti called the police" = "Pinchetti is a suspect."
We leave the interrogation room, we pass along the corridor to the right. We speak with Vogel. We present evidence "Testimony of a witness."
We go to cell number 5, where Manchios is sitting.
- right ear (rash from hair dye);
- right hand (washed his hands in a hurry);
- right shoe (made of high quality leather).
We select the option " Obsessed with cleanliness ".
"The Mind Halls " - "Kurt Manchios is obsessed with cleanliness."
"The Mind Halls " - "Kurt Manchios is clean."
"The Mind Halls " - "Kurt Manchios loved Fabio."
In the "Halls of the Mind" we draw conclusions:
"Kurt Manchios is a clean freak" + "Kurt Manchios is clean" = "Manchios was getting ready for an orgy."
"The killer washed the blood off himself" + "Kurt Manchios is obsessed with cleanliness" = "Manchios washed the blood off himself after the murder."
Choices: "Manchios prepared for an orgy" or "Manchios washed the blood off himself after the murder"
We go to cell number 6, where Matista is located.
- right hand (she inflicts them (cuts) herself);
- forearm of the left hand (brand);
- right leg (a trace from the shackles).
Define: " Punishes himself for the past ."
We speak with Matista, ask questions.
"The Mind Halls " - "Matista has fresh bruises."
" Palaces of the Mind " - "Matista's Affairs with the Guests".
In the "Halls of the Mind" we draw conclusions:
"Matista's affairs with the guests" + "Matista has fresh bruises" = "Matista was mocked by the guests."
"Fabio was attacked in the next room" + "Matista has fresh bruises" = "Matista was hit by Fabio".
Choices: "Matista was bullied by the guests" or "Matista was hit by Fabio."
We go to the archive , we speak with the constable. We present the evidence "Santos is a suspect."
We go to the seventh chamber.
We examine the confiscated things on the table:
- "WILL OF KURT MANCHIOS WITH A NOTE".
We define: " Living in poverty ."
We speak with Pinchetti, ask questions. We present the evidence "Will of Kurt Manchios with a note."
"The Mind Halls " - "Blood on Pinchetti's shoe."
"The Mind Halls " - "Manchios taunted Pinchetti."
" Palaces of the Mind " - Manchios gave Fabio expensive gifts."
In the "Palaces of the Mind" we conclude:
"Pinchetti works majordomo" + "Manchios mocked Pinchetti =" Santos Pinchetti tries in vain.
"Blood on Pinchetti's shoe" + "The killer washed the blood off himself" = "Pinchetti didn't notice the bloodstain."
"Blood on Pinchetti's shoe" + "Santos Pinchetti called the police" = "Pinchetti accidentally stepped into a pool of blood."
Choices: "Pinchetti didn't notice the bloodstain" or "Pinchetti accidentally stepped into a pool of blood."
We go to the cell where Manchios sits. We present the evidence "Will of Kurt Manchios with a note."
We leave the wing of the prison, go to the next wing.
We turn to the policeman, we present the "Evidence slip".
We consider nine clues in three boxes.
"The Mind Halls " - "An angry letter from Fabio".
" Palaces of the Mind " - "The Power of Love".
In the "Halls of the Mind" we build a conclusion:
"Kurt Manchios loved Fabio" + "Angry letter" = "The letter may have been meant for Manchios."
We return to the cell block, ask Vogel about the letter.
We pass to Manchios, we ask about the letter.
Ask about the "Power of Love".
"The Mind Halls " - "Someone is lying - either Vogel or Manchios."
In the "Palaces of the Mind" we conclude:
“Vogel was arrested because of the letter” + “Someone is lying - either Vogel or Manchios” = CHOICE: “The drugged Vogel took the letter himself” or “The letter was planted by Manchios.”
Let's move on to Matt. We are talking about the "Power of Love" (we present evidence). We ask if she practices the occult.
" Palaces of the Mind " - "Matista wanted to keep Fabio with magic."
In the "Halls of the Mind" we build a conclusion:
"Matista wanted to keep Fabio with magic" + "Power of love" = "Matista could perform the ritual."
We ask Matista about the "Letter from Fabio".
"The Mind Halls" - "Fabio was about to break with Manchios."
In the "Halls of the Mind" we build a conclusion:
"Manchios loved Fabio" + "Fabio was going to break up with Manchis" = "Fabio broke Manchios' heart."
We take the “Letter from Vogel” to Constable Oswald in the archive.
The ritual is staged - Matista was mocked by the guests - Pinchetti did not notice the bloodstain - Manchios was preparing for an orgy - The besotted Vogel himself took the letter.
Fabio was killed during the ritual - Matista was hit by Fabio - Manchios was preparing for an orgy - The besotted Vogel took the letter himself - Pinchetti accidentally stepped into a pool of blood.
Choice: put in a psychiatric hospital or hang.
The ritual is staged - Matista was mocked by guests - Manchios washed the blood off himself after the murder - Manchios planted a letter - Pinchetti accidentally stepped into a pool of blood.
We go to the cell to the one who was accused of killing Fabio. We present evidence.
We go to the archive, report to the inspector on the completion of the investigation.
Let's get acquainted with the report.
" Halls of Remembrance " - My mother's throat was cut open.
" Halls of Remembrance " - "Death by hypoxia."
We leave the archive, listen to the words of gratitude from Vogel. We talk to him.
We leave the police station, head to the mansion.
We pass through the opened door into the garden.
We pass to the right bank of the pond. When the vision of the mother playing the piano fades, we examine the broken cup standing on the tray on the ground (we rotate until an active point appears).
We go through the vision of Holmes, we examine the bottle of medicine standing on the table (we rotate until an active point appears).
" Mind Halls " - "Tea and sedative".
We go to the gazebo. When the vision of mother melts, we examine the diary lying on the table:
- title on the left page;
- drawing on the right page.
We find ourselves in the vision of Holmes. We look at the artifact on the table on the left. We pass forward, we listen to the conversation between Mycroft and Richter.
We go to the mansion. When the vision of the mother melts, we study the wheelchair.
In the vision of Holmes, we push the chair, we walk through the garden.
Watch the finale of Holmes' memoirs.
In the "Palaces of the Mind" we conclude:
"My imaginary friend John" + "Mental disorder" = "Fragile mental organization."
"Mycroft testified against Richter" + "Richter's experiments" = "Suspicious psychiatrist".
"We brought tea" + "Tea and sedatives" = CHOICE: "Side Effects" or "Drug Resistance".
"My mother's throat was cut open" + "Death by hypoxia" = CHOICE: "She drowned" or "She didn't drown."
"Mental breakdown" + "Attack in the garden" = "Mom tried to kill me."
"Mycroft testified against Richter" + "Mycroft caught Richter in the garden" = "Mycroft accused Richter."
There are four possible endings to the game, all of which can be replayed to see the ending.
"Side Effects" + "She Didn't Drown" - "Killer - John" and "I killed my own mother" endings.
"Resistance to drugs" + "She drowned" - "Deliberate murder" and "Accident" endings.
In either ending, Sherlock gets rid of his imaginary friend John and meets Dr. John Watson.
End of Sherlock Holmes: Chapter 1 (Mother's Love), continued in the Sherlock Holmes: Chapter 1 (Mycroft cases & Cordona Tales) walkthrough.
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